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Hamadryads

A project by @josenarciso

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Paradigme

loisvoirol

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Gods

Nils_Hansen

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K8J4GQ4

Karisma

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Comfort Zone

Lazaro

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editorial

Studies in Forgetting: Goldcat’s Manifesto for Creative Freedom

“It took me four years to paint like Raphael, but a lifetime to paint like a child,” Pablo Picasso once said

Studies in Forgetting: Goldcat’s Manifesto for Creative Freedom

“It took me four years to paint like Raphael, but a lifetime to paint like a child,” Pablo Picasso once said

editorial

A Journey Through Impermanence and Interpretation

In the world of contemporary art, where formal training often dominates narratives, José emerges as a self-taught visionary, redefining the relationship between intuition and craftsmanship. His final collection presents an evocative exploration of impermanence, a testament to the transient nature of existence and the fluidity of interpretation. Drawing from his personal history and cultural heritage, José’s work challenges conventions, blurring the lines between drawing and painting, emotion and technique, chaos and structure.

A Journey Through Impermanence and Interpretation

In the world of contemporary art, where formal training often dominates narratives, José emerges as a self-taught visionary, redefining the relationship between intuition and craftsmanship. His final collection presents an evocative exploration of impermanence, a testament to the transient nature of existence and the fluidity of interpretation. Drawing from his personal history and cultural heritage, José’s work challenges conventions, blurring the lines between drawing and painting, emotion and technique, chaos and structure.

interview

A conversation with Goldcat

digital painter & fine artist. Previously at Christies 3.0, Art Basel & miart Milano.

A conversation with Goldcat

digital painter & fine artist. Previously at Christies 3.0, Art Basel & miart Milano.

editorial

Studies in Forgetting: Goldcat’s Manifesto for Creative Freedom

“It took me four years to paint like Raphael, but a lifetime to paint like a child,” Pablo Picasso once said

Studies in Forgetting: Goldcat’s Manifesto for Creative Freedom

“It took me four years to paint like Raphael, but a lifetime to paint like a child,” Pablo Picasso once said

editorial

A Journey Through Impermanence and Interpretation

In the world of contemporary art, where formal training often dominates narratives, José emerges as a self-taught visionary, redefining the relationship between intuition and craftsmanship. His final collection presents an evocative exploration of impermanence, a testament to the transient nature of existence and the fluidity of interpretation. Drawing from his personal history and cultural heritage, José’s work challenges conventions, blurring the lines between drawing and painting, emotion and technique, chaos and structure.

A Journey Through Impermanence and Interpretation

In the world of contemporary art, where formal training often dominates narratives, José emerges as a self-taught visionary, redefining the relationship between intuition and craftsmanship. His final collection presents an evocative exploration of impermanence, a testament to the transient nature of existence and the fluidity of interpretation. Drawing from his personal history and cultural heritage, José’s work challenges conventions, blurring the lines between drawing and painting, emotion and technique, chaos and structure.

interview

A conversation with Goldcat

digital painter & fine artist. Previously at Christies 3.0, Art Basel & miart Milano.

A conversation with Goldcat

digital painter & fine artist. Previously at Christies 3.0, Art Basel & miart Milano.