The work is dedicated to the legendary J Dilla technique, which he used on the "AKAI MPC-3000" drum machine, where he began to see the free mixing of sounds in microscopic scales. This created a disorienting rhythmic discrepancy, combining both straight and swing at the same time. Taking a tennis court, I wanted to explore colors and shapes that do not combine separately from each other, but when combining the freedom of these forms, they began to create something unique and aesthetically new, and the balls that are in the shape of a circle.

I wanted to provide them as the most important aspect in this composition that gives uniqueness and dynamism. As well as balls in different corners and colors, it's just a memory of every time in what mood and feelings people come to tennis and leave some part of their energy for the entire time that they played.