A study in balance—of form, of presence, of the unspoken narratives that exist between figures frozen in time. There’s a nod to Léger’s mechanical precision. The composition invites you into a quiet elegance—hats tilted just so, posture composed, the weight of observation shared between them. Who are they? What are they waiting for? It doesn’t matter.

The figures are faceless, but their presence is undeniable.